SEAM
DISPLACED
CLOTHO
CYCLE
1985 - 2022
INTERLINK
IMPACT
SACRAMENTUM
SKETCH, INK
TRANSITION
CV
CONTACT
nineteen eighty-six dash ten
nineteen eighty-seven dash twelve
nineteen eighty-eight dash twelve
nineteen eighty-nine dash five
nineteen ninety dash twenty
nineteen ninety-one dash fourteen
nineteen ninety-two dash twenty-four
nineteen ninety-three dash twenty
nineteen ninety-four dash twenty-four
nineteen ninety-five dash forty-six
nineteen ninety-seven dash forty-six
nineteen ninety-eight dash forty-seven
nineteen ninety-nine dash thirteen
two thousandth dash four
two thousand and one dash seven
two thousand and seventh dash at least one
two thousand and eight dash at least four
two thousand and ninth dash zero
two thousand and tenth dash two
two thousand and eleventh dash two
two thousand and thirteenth dash three
two thousand and fourteenth dash three
two thousand and fifteenth dash zero
two thousand and sixteenth dash four
two thousand and seventeenth dash two
two thousand and eighteen dash four
two thousand nineteen dash two
two thousand and twentieth dash zero
two thousand twenty-one dash one
two thousand twenty-second dash zero
2022
Sculpture, mixed media, optical fibre, optical cable, chain saw, liquid glass.
The title of the work refers to an approximate estimate of the number of executions carried out in Belarus since 1985, according to the Belarusian Ministry of Internal Affairs. As the most recent documents released by the Belarusian government date back to 2006, the exact number of those executed remains unknown.
The sculpture emerged through lived states of immersion and alienation. Formed through the interplay of forces embedded in the plastic material and its internal dynamics, it took shape through processes of tension and relaxation, opening and withdrawal, and between impulses towards coherence and confusion.